Exploration + expression
through a lens
Work across disciplines in the evolving fields of film and audiovisual arts. Use moving and still images to express, exchange ideas, and share diverse perspectives while shaping the future of the medium. Expanded views of contemporary narrative and non-fiction work within the Filmmaking and audiovisual disciplines are explored through hands-on-learning, facilitated group discussions, collaborative productions, visiting artists, exposure to influential work, individual meetings, and traditional lectures.
The sophomore year begins with the question of “how one sees.” Students engage this question through production assignments that include non-fiction and ethnographic approaches and independently driven research. The curriculum then advances to expanded notions of narrative works and challenging dominant approaches to cinematic traditions. In the Junior and Senior years, Filmmaking major studios emphasize the development of individual student vision through the advancement of self-driven production projects and research (field studies and academic) that are fostered by faculty mentorship in concept development, individualized technical workshops, and management skills. At this time, the emphasis is on producing a personal body of work that demonstrates strong conceptual and technical underpinnings while broadening professional practice skills that include a required professional internship, self-promotion, distribution, grant writing, formulating budgets, public speaking, residency and exhibition applications. The senior year is dedicated to the development of a year-long thesis project that culminates into an off-campus exhibition and artist talk.
Hands-on-learning experiences and production assignments provide fundamental technical skills needed for audiovisual production: [hardware] cameras (1080P, 2K and 4K), variety of lenses and filters, lighting (variety of LED panels, traditional continuous light kits, MIDI PARs), tripods (fluid heads and Hi-hat), shoulder mounts, camera slider, crane, a variety of microphones including shotguns, lavalieres and booms, audio recorders and field mixers, a range of video projectors; [facilities] video and green screen studio, sound 5.1 sound design studio, ADR studio, sound mixing studio bay, 12 video editing, and motion graphic bays, copy stand for animation; [software] Adobe Photoshop, Premiere, After Effects, ProTools, Audition, MadMapper, Modul8; [techniques] cinematography, sound recording, time-lapse videography, video editing, color treatment, sound mixing, and motion graphic sequences.
Each student is required to enroll in a professional internship or practicum during their Junior or Senior year.
Take a look at some of our work.
Professor and Chair
Diana Heise’s practice engages filmmaking, photography, writing, performance and social practice to consider cultural practices that we, as humans, engage in, conundrums that result from our activities and methods to resist, heal and thrive from such conflicts. Her work has been exhibited in galleries and festivals internationally, including the Brooklyn Museum, the Film Anthology Archives, Oriel Myrddin Gallery, Cantor Art Center, Institut Français de Maurice, and Drain, among others. She is a recipient of a Fulbright Fellowship in the Creative and Performing Arts, a Performance Art Fund Grant from the Franklin Furnace Inc. as well as a Presidential Fellowship at the American University in Cairo. She has spoken about her work at venues such as the Parsons School of Art and Design, Stanford University and the Kemper Museum of Contemporary Art. Her scholarly writing has been published in anthologies through Ohio University Press and Cambridge Scholars Printing. She holds a MFA in Photography, Video and Related Media from the School of Visual Arts in New York, NY and a BA in Art History from Vassar College.
Tom Lewis is Chair of the Department of Converging Media including Photography and Filmmaking. He taught photography and new media at KCAI in 2001 through 2003 and joined the Foundation faculty in 2005, becoming Director of the School of the Foundation Year in 2012-2013 before moving to the Chairs position in the Department of Converging Media in 2013. He joined the KCAI faculty after having taught at the University of Washington School of Art, Seattle. While there, he also served as an assistant to Rod Slemmons at Crux Photographic Restoration and he assisted Michael Van Horn, curator for “After Art – Rethinking 150 Years of Photography,” at the Joseph and Elaine Monson Collection. He was co-founder and manager of CORE 317, an alternative space in Denver, and completed an internship at the International Center of Photography in New York. Lewis studied at KCAI on a Presidential Merit Scholarship and went on to earn a B.F.A. degree from the School of the Art Institute of Chicago and an M.F.A. degree from the University of Washington, where he held the Jane and David Davis Fellowship and Parnasuss Endowment. Tom is interested in the intersection of early lens based drawing and the materiality of photography. He works in both photography and large-scale graphite drawings. His work has been exhibited at the Henry Art Gallery in Seattle, and the Museum of Contemporary Photography, Chicago, among others and is represented in a number of private collections.
Dwight Frizzell, an alumnus of KCAI, is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art, and writing. His projects emphasize research and a commonality between the fine and performing arts. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. His art pieces have been shown at major international galleries. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the University of Missouri-Kansas City.
Trey Hock explores the markers of narrative through short film, screenwriting, installation, photography, performance and web-based social media platforms. His work interrogates the assumed physical and social constructions that surround us. These include narrative storytelling, the photographic frame, public and private spaces, and personal identity. His short films have shown at Sundance and other international film festivals. He is currently working across platform through Instagram, printed photographic works, and installation to explore the power of the Selfie. Hock received his B.A. in English, Creative Writing from Kansas State University in 1997, and his M.F.A. in Writing and Directing for Film and Television from the Savannah College of Art and Design in 2007.
Cyan Meeks is a cross-disciplinary artist who integrates filmmaking, photography, sound design, performance, social practice, curation and media study into her practice. Both her collaborative and solo works have been exhibited internationally, including at the Sundance Film Festival, New Directors/ New Films Festival at MoMA, Deuxieme Manifestation International Video et Art Electronique, Glasgow World of Film International Film Festival, Dumbo Film Festival and the Nelson-Atkins Museum of Art. She has received first place awards from the American Film Institute, Amsterdam International Film Festival, and the New York Film Festival and received grants from the National Park Service, The Nature Conservancy, US Forest Service and the Creative Arts Industries Commission. Her commercial work within the music industry has received accolades by NME and Spin magazines. Meeks received her B.F.A. degree in new media from the Kansas City Art Institute in 1995 (mentored by Kristine Diekman), studied for her M.F.A. degree at the California Institute of the Arts in 1997 (mentored by James Benning) and completed her M.F.A. degree in media studies at the State University of New York in 2003 (mentored by Tony Conrad & Sarah Elder).
Once you declare your major, filmmaking students take the following core courses as they progress from sophomore to senior year. For additional electives and liberal arts courses, download the complete Course Catalog.
- Intro to Filmmaking
- History of the Moving Image
- Intermediate Filmmaking
- Junior Filmmaking Workshop & II
- Senior Filmmaking Workshop I & II
- Filmmaking Senior Thesis& Professional Pratice
See more of our students’ work on Vimeo.
Each major at KCAI has a dedicated three-credit hour professional practice course offered during the junior or senior year. This course is taught by qualified professionals from the specific discipline, and it is designed to give students the information they need to successfully enter their chosen career path upon graduation. Professional practice topics include how to prepare job search materials, including a resume and artist statement, how to seek freelance opportunities, how to work with a gallery, and how to propose an exhibition or collaborative project. Students learn about residencies and graduate schools, and they practice their written and oral communication skills by writing proposals and applications and making presentations. In addition, students have the opportunity to learn about entrepreneurship and financial matters for the artist and designer. This required course is complemented by workshops offered by the Academic Advising and Career Services office.
Jobs + Internships
KCAI filmmaking majors have worked or interned for Take Two Productions, Hint, Outpost Worldwide, Rush Wade, BranitFX, Liquid9, and the Nelson-Atkins Museum of Art.
Many artists visit the filmmaking and photography studios each year to share their knowledge and inspiration with KCAI students. Here are a few that have recently stopped by:
Jerry Spagnoli (in partnership with NAMA), Adam Long, Ross Sawyers, Priya Kambli, Mathew Higgs, Frederic Brenner ( in partnership with the Jewish Community Center), Patty Carroll, Kelly Richardson, David Shannon-Lier, Elijah Gowin, and Steve Rowell (in partnership with the Spencer Art Musuem).