August 31, 2018
Professor James Woodfill and Stephen Lichty Design Installation for New Monticello Library
An installation at the recently-opened Monticello Library in Shawnee, Kan., Mediated Set (Cart Forms and Glass Inclusions), is a collaboration of Painting Professor James Woodfill and New York-based artist Stephen Lichty for a site-specific commission through the Johnson County Public Art Commission.
“Our contribution to the Library consists of seven modified book cart sculptures and a set of adjustments to the glass separating the building’s private meeting rooms from an otherwise open plan. As a consequence of our collaborative approach these works represent a full stack of conceptual and material negotiations. Two people looking at the same thing will see something different. Learning to affirm difference has been the virtue and strength of our collaboration, and a virtue that is echoed both by the County’s willingness to commission our experimental project and by the infinite possibilities – the sanctuary – given by any library and the agency of its patrons,” said Woodfill and Lichty in their artist’s statement.
Mediated Set (Cart Forms and Glass Inclusions) is a two-part installation carried out after extensive collaboration with the library designers and staff. The Glass Inclusions were meant as a mediator between the idea of public and private meeting areas, and involved added layers of glass with translucent films applied that confounded the original idea of transparency within the space by forming emergent moiré patterns where the films overlap.
The Cart Forms resulted from a number of week-long collaborative studio sessions at Union Office, Woodfill’s West Bottoms studio in Kansas City, where James and Stephen built and dismantled many experimental versions of the carts until the final set of seven were arrived at. Upon delivery to the library, the staff was encouraged to use the carts as part of their set of tools to promote explorations and instigate patron involvement.
For more information on where to view the installation visit the library website.
Can art amend history? Come and explore new narratives on Thursday, April 4 at 7 p.m. in Epperson Auditorium with visual artist and social critic Titus Kaphar, whose art reimagines historical events. His paintings, sculptures and installations seek to dislodge history from its status as the “past” in order to unearth its contemporary relevance. Kaphar is a distinguished recipient of numerous prizes and awards including a 2018 MacArthur Fellowship, a 2014 Gwendolyn Knight and Jacob Lawrence Fellowship, a 2015 Creative Capital grant, a 2016 Robert R. Rauschenberg Artist as Activist grant and a 2018 Art for Justice Fund grantee. His work is included in the collections of Crystal Bridges Museum, Bentonville, Ark., The Museum of Modern Art in New York and the Perez Art Museum (PAMM) in Miami, amongst others. This free public lecture is underwritten by the Hoffman Visiting Artist Endowment. The purpose is to bring nationally recognized artists who focus on contemporary art practices to give an annual talk to Kansas City Art Institute (KCAI) students, faculty and the Kansas City community, as well as work with students and faculty in their studios. The Visiting Artist is selected through a process administered by a select group of representatives read more…
Lineage and Impact: KCAI Faculty Past and Present, March 1- May 4 at Haw Contemporary Stockyards, celebrates seven decades of working artists on the faculty of the Kansas City Art Institute, a community that values making, teaching, and learning art as interdependent, often inextricable practices. Beginning with and paying homage to Wilbur Niewald, who began teaching in 1949, the exhibition honors artwork by luminaries and pathbreakers such as Ken Ferguson, Warren Rosser, Lester Goldman, Jane Lackey, Jim Leedy, Carl Kurtz, Steve Whitacre, Hirokazu Fukawa, Erin Zona, and Milton Katz, as well as emerging talents appointed to the faculty as recently as 2018. In keeping with KCAI’s commitment to forging connections across and between all artistic disciplines and practices, Lineage and Impact represents a multitude of fields: animation, ceramics, drawing, fiber, fiction, film, music, painting, photography, poetry, sculpture, and video, as well as installations and collaborative works resistant to classification. Media on display range from cast glass to silicon circuitry, from combed cotton to works on canvas, from letterpress to digital print, from modular synthesizer to modern languages. This vibrant collection demonstrates the profound historical influence of KCAI’s long tradition of appointing outstanding artists to its faculty—several of the younger artists were read more…
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