Tom Lewis, associate professor and chair, photography, digital filmmaking, animation and digital media
Tom Lewis is chair of photography, digital filmmaking, animation and digital media. He taught photography and new media at KCAI in 2001...Read More
Tom Lewis is chair of photography, digital filmmaking, animation and digital media. He taught photography and new media at KCAI in 2001 and 2003 and joined the foundation faculty in 2005, becoming director of the School of the Foundation Year for 2012-2013. He joined the KCAI faculty after having taught at the University of Washington, Seattle.
While in Seattle, in addition to teaching at the University of Washington School of Art, Lewis served as an assistant to Rod Slemmons at Crux Photographic Restoration printing for photographic restoration and stabilization, research and exhibition. He also assisted Michael Van Horn, curator for "After Art-Rethinking 150 Years of Photography," at the Joseph and Elaine Monson Collection. He was co-founder and manager of CORE 317, an alternative space in Denver, and completed an internship at the International Center of Photography in New York.
His range of expertise includes photography; photographic restoration, stabilization, research and exhibition; installation; archiving; printing; processing; and cataloging.
His work has been exhibited at the Soil Invitational; the Museum of Contemporary Photography, Columbia College-Chicago (a group exhibition in conjunction with "Persistence of Vision," a Paul Berger retrospective); the University of Texas; the Art Space Gallery in Seattle; the Jacob Lawrence Gallery at the University of Washington, and the University of Notre Dame among others.
Lewis studied at KCAI on a Presidential Merit Scholarship and went on to earn a B.F.A. degree from the School of the Art Institute of Chicago and an M.F.A. degree from the University of Washington, where he held the Jane and David Davis Fellowship and Parnasuss Endowment.
Douglas Hudson is an independent animation director and educator. He founded the animation department for KCAI in 2005 and served...Read More
Douglas Hudson is an independent animation director and educator. He founded the animation department for KCAI in 2005 and served as program head from 2005-2009 and department chair from 2009-2013.
In addition to many honors and distinctions over the years, three of his students won a Student Academy Award in 2010.
At Warner Brothers Online in Los Angeles, he was a member of the first team of animators to produce original Looney Tunes shorts for the Web. His work ranges from experimental abstractions to wry observational narratives.
Hudson earned a B.F.A. degree in animation in 1997 from the University of the Arts in Philadelphia and an M.F.A. degree in experimental animation in 2000 from the California Institute of the Arts, under the mentorship of Jules Engel.
John Baker, assistant professor and program coordinator
John Baker joined KCAI in 2010 and teaches courses in digital media and animation. Previously he was an animator with MK12, a Kansas...Read More
John Baker joined KCAI in 2010 and teaches courses in digital media and animation. Previously he was an animator with MK12, a Kansas City-based motion graphics firm, where he was responsible for generating concepts for clients from storyboards to final animation and worked as editor and data manager on national and international film and video production. At MK12 he was responsible for shooting footage, including client work and internal short films, and he handled filming and processing green-screen footage, rotoscope work and various visual effects. Before that he was an animator with Video Post Productions in Kansas City, where he worked in 2-D and 3-D animation for national and international clients. He has worked on projects for the Salvation Army, Oregon Lottery, Microsoft, BBDO, Harmonix, Swiss Air International, Fox Television, Mastercard, Universal Pictures and Budweiser, to name just a few.
Evan Tedlock is an animation artist and educator. His forte lies in experimental animation where his art strives to delve deeply...Read More
Evan Tedlock is an animation artist and educator. His forte lies in experimental animation where his art strives to delve deeply into the human condition and expose truth through the expression of time and beauty. The medium with which he creates often changes from project to project, and thus he continually is sharpening his skills in a large lateral area of the animation world. His work has been exhibited as near as the Nelson-Atkins Museum of Art and as far as the Winter International Festival of Arts in Sochi, Russia. Animating projections for the performance group Quixotic, developing graphics and marketing media for Grocery IQ and participating in the Linoleum Film Fest competition are just a few of the notable projects that Tedlock has been involved with. Though the art of movement is his first love, a close second is education. For three years Evan has been teaching all age groups through KCAI's Continuing and Professional Studies program. From digital illustration to traditional animation and from comics to claymation, he has designed more than 10 courses that are currently on cycle in the CPS program. Evan earned his B.F.A. degree in animation from the Kansas City Art Institute.
Christiane Cegavske is best known for her feature-length animated film "Blood Tea and Red String," completed in 2005...Read More.
Christiane Cegavske is best known for her feature-length animated film "Blood Tea and Red String," completed in 2005. She is currently working on her second animated feature film, "Seed in the Sand." Other animated films include a music video for Mark Growden’s song"Coyote," from his album "Saint Judas, Making a Friend," and "Blood and Sunflowers." In addition to being an independent film maker, painter, poet and doll maker, she has been a lead animator and sculptor working on projects for The Oxygen Network, VH1, the Disney Channel and Fox at Space Bass Films Inc. and Acme Filmworks in Los Angeles and on a variety of projects with Bent Image Lab in Portland, Oregon. She created animated dream sequences for Asia Argento’s The Heart is Deceitful Above All Things.
Blake Douglas Young is a stop-motion filmmaker who...Read More
Blake Douglas Young is a stop-motion filmmaker who combines live action, found footage and stop-motion animation. His work is process-based and hands-on, using the tactility of materials to direct and inform his narratives. Since 2011 he has worked as an independent filmmaker and freelance animator in New York. His freelance work has included a diverse range of projects, from animating sequences for the documentary “Secret Survivors,” produced by Ping Chong and Company, to designing and animating projections for the theatrical musical “The Verona Project,” produced by Northwestern University.
His independent films have screened in Los Angeles, San Francisco, New York and Washington, D.C., as well as internationally, and his latest animation short recently premiered in a stop-motion retrospective at Annecy International Animation Film Festival, 2014. His films to date include “Everything Tickety-boo”(2014), “Our Lady Divine”(2011), “Augustine” (2011), “Hello Johnny” (2011), and “The Taxonomist and His Mistress”(2010).
Young attended Bard College, graduating with a B.A. degree in French language and literature, and went on to complete his M.F.A. degree in experimental animation at the California Institute of the Arts.