GIVING LIFE TO ILLUSION
Our award-winning animation program will help you successfully create the illusion of movement, dimension and emotions using classical, experimental and computer animation. One technique is never favored over another. Instead, we encourage you to think and act freely by exploring novel techniques and new solutions.
Seniors spend a year of structured studio time producing a significant personal work, which will demonstrate their mastery of the medium, strengthen their portfolio and build confidence in their artistic and technical capabilities.
“One of the biggest bonuses to our animation department is the wide range of projects that are possible and encouraged...”Elizabeth Davis
Associate Professor & Chair
Tom Lewis is chair of photography, filmmaking, animation and interactive arts. He taught photography and new media at KCAI in 2001 and 2003 and joined the Foundation faculty in 2005, becoming director of the School of the Foundation Year for 2012-2013. He joined the KCAI faculty after having taught at the University of Washington School of Art, Seattle. While there, he also served as an assistant to Rod Slemmons at Crux Photographic Restoration and he assisted Michael Van Horn, curator for “After Art – Rethinking 150 Years of Photography,” at the Joseph and Elaine Monson Collection. He was co-founder and manager of CORE 317, an alternative space in Denver, and completed an internship at the International Center of Photography in New York. Lewis studied at KCAI on a Presidential Merit Scholarship and went on to earn a B.F.A. degree from the School of the Art Institute of Chicago and an M.F.A. degree from the University of Washington, where he held the Jane and David Davis Fellowship and Parnasuss Endowment. His range of expertise includes photography; photographic restoration, stabilization, research and exhibition; installation; archiving; printing; processing; and cataloging.
Program Head of animation & Assistant Professor
John Baker joined KCAI in 2010 and teaches interactive arts and animation. Previously, he was an animator with MK12, a Kansas City-based motion graphics firm, where he was responsible for generating concepts for clients from storyboards to final animation. He also worked as editor and data manager on national and international film and video productions. Baker was responsible for shooting footage, including short films, and he handled filming and processing green-screen footage, rotoscope work and various visual effects. Before that he was an animator with Video Post Productions in Kansas City, where he worked in 2-D and 3-D animation for national and international clients. He has worked on numerous production projects for many well-known national brands.
Visiting Assistant Professor
Christiane Cegavske is best known for her feature-length animated film, “Blood Tea and Red String,” completed in 2005. She is currently working on her second animated feature film, “Seed in the Sand.” In addition to being an independent filmmaker, painter, poet and doll maker, she has been a lead animator and sculptor working on projects for The Oxygen Network, VH1, and the Disney Channel, among others. She also created animated dream sequences for Asia Argento’s “The Heart is Deceitful Above All Things” and a music video for Mark Growden’s song “Coyote.”
Douglas Hudson is an independent animation director and educator. He founded the animation department for KCAI in 2005 and served as program head from 2005-2009 and department chair from 2009-2013. At Warner Brothers Online in Los Angeles, he was a member of the first team of animators to produce original Looney Tunes shorts for the Web. His work ranges from experimental abstractions to wry observational narratives. Hudson earned a B.F.A. degree in animation in 1997 from the University of the Arts in Philadelphia and an M.F.A. degree in experimental animation in 2000 from the California Institute of the Arts, under the mentorship of Jules Engel.
See his website at www.loneresident.com
Once you declare your major, animation students take the following core courses as they progress from sophomore to senior year. For additional electives and liberal arts courses, download the complete course catalog.
- Principles of Animation
- Digital Methods
- History of Animation
- Visual Communication
- Explorations in Animation
- Ideas in Motion
- Intro to 3D
- Intermediate 3D
- Professional Practice I & II
- Senior Studio I
- Senior Studio II
- Professional Practice
View Samples of Our Work
Like What You See?
For additional examples of student-produced work that displays a wider range of styles, technique and subject matter, browse our expanded photo gallery.
Professional practice is a compulsory component of the KCAI program in which students benefit enormously from insights provided by world-renowned visiting artists, scholars and professionals.
Current software applications being used include Adobe Creative Suite, Maya and Dragonframe.
Recommended systems/tools: 15” MacBook Pro with retina display (minimum) or PC w/Intel Core 2 Duo or AMD Phenom II processor with Windows 8 or 8.1 and 64-bit support. Recommended add-ons: carrying case, min. 1TB external hard drive, mini display to VGA adapter and damage/theft insurance.
Jobs + Internships
KCAI animation majors have worked or interned for the following studios and institutions: Disney, DreamWorks, Digital Domain, Nickelodeon, Hallmark, Shadow Machine Films, Bill Plympton Studio, The Nelson-Atkins Museum of Art, Bazillion Pictures, T2, MK12, Intake Studios, Encyclopedia Pictura, Dream Studio, Fuzzy Duck Design, Titmouse Inc., Panda Panther, Grasshorse and Threehouse Studio.
Many artists visit the animation studios each year to share their knowledge and inspiration with KCAI students. Here are a few that have recently stopped by:
Martin Marquet, Joshua Mosley, Matthias Lechner, Environmental Art Dir./Disney, and Alexis Gordon (in partnership with the Spencer Art Musuem).